[ CV | CONTACT | KONTAKT | SI ⇊]
R O B E R T I N A Š E B J A N I Č
A R T I S T | R E S E A R C H E R
Robertina Šebjanič, is an artist whose work explores the biological, geo-political and cultural realities of aquatic environments and the impact of humanity on other organisms. Her projects call for the development of empathetic strategies aimed at recognising other (non-human) species. In her analysis of the Anthropocene and its theoretical framework, the artist uses the terms “aquatocene” and “aquaforming” to refer to the human impact on aquatic environments. Her art work Aurelia 1+Hz / proto viva generator (artist proof) is since 2019 part of the .NewArt{collection;}_ Electronic Art Collection, Spain. Since 2023 she has been associated prof. at the University of Nova Gorica – School of Arts. Her works received awards, honorary mentions and nominations at Prix Ars Electronica, Starts Prize, Falling Walls., Re: humanism.
Her previous projects include animal-machine-human relationships and inter-species communication in a series of works Aurelia 1+Hz. In project Aquatocene, she points out underwater noise pollution and its ecological consequences/challenges. Together with Gjino Šutić, they developed a project called aqua_forensic, with which they are illuminating the invisible anthropogenic pharmaceutical chemical pollutants – residues of human consumption water habitats.
She had lectures / talked / presented her works at events/venues (selection): Ocean Space – TBA21 (Venice), Stanford University (Palo Alto), UCLA- ArtiSci Center (Los Angeles), UNAM – The National Autonomous University of Mexico (Mexico City), ISEA2023 (Paris), Mare Conference (Amsterdam), Kikk Festival (Namur), ITMO University (St. Petersburg), Aalborg University (Aalborg), University of Nova Gorica – School of Arts – (Nova Gorica), Re:publica (Berlin) a.o.
She exhibited / performed at solo and group exhibitions as well as in galleries and festivals, bienalles, museums around the globe (selection): ZKM (Karlsruhe), Gallery Cukrarna (Ljubljana), Kunstgewerbemuseum (Berlin), UCLA – EDA (Los Angeles) Ars Electronica (Linz), Tribeca Immersive – Mercer lab (New York), Matadero (Madrid), WRO Bienalle (Wroclaw), ISEA2024 (Brisbane), Biennal Ciutat i Ciència at CCCB (Barcelona), KIKK festival (Namur), The Museum für Kunst und Gewerbe Hamburg (MK&G), Contemporary Art Museum of Istria (Pula), Sea Art Festival (Busan), Watermans Arts Centre (London), Akbank Sanat (istanbul), ,Art Laboratory (Berlin), Eastern Bloc (Montreal), Laboratorio Arte Alameda (Ciudad de Mexico), MSU – Museum of Contemporary Art (Zagreb), MSUB – The Museum of Contemporary Art (Belgrade), MONOM (Berlin), La Gaîté Lyrique (Paris), Le Cube (Paris), +MSUM Museum of Contemporary Art (Ljubljana), Eyebeam (New York), Kikk Festival (Namur), CAAM – Atlantic Center of Modern Art (Grand Canaria) CCD – Centro de Cultura Digital (Ciudad de Mexico) re:publica (Berlin), Mladi Levi (Ljubljana), Piksel (Bergen), OSMO/ZA (Ljubljana), Device art 5.015 at Klovičevi dvori (Zagreb), PORTIZMIR#3 (Izmir), etc.
BIO | CV | CONTACT | KONTAKT
AWARDS / NOMINATIONS:
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S+T+ARTS PRIZE ’24 – Honorary Mention
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Faling Wals 2024 (finalist)
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Re:Humanism 2023 (top 10 projects)
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Falling Walls 2021 – winner of Falling Walls in the Art and Science category video
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Honorary Mention @Prix Ars Electronica 2016, a project Aurelia 1+Hz / proto viva sonification
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STARTS2020 nomination the project aqua_forensic (collaboration with Gjino Šuić),
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STARTS2016 nomination for project Time Displacement / Chemobrionic Garden (collaboration with Ida Hiršenfelder and Aleš Hieng Zergon)
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nomination for the White // Aphroid award for the project Aquatocene / Subaquatic quest for serenity
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Robertina was SHAPE platform artist 2017
WORKING IN INITIATIVES / ART COLLECTIVES:
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Since 2020 – part of Traveling plant collective (international collective) http://thetravelingplant.net/
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Since 2020 – collaboration / artist in residence at Pina (Koper) https://www.pina.si/
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since 2015 – collaborating with UR institute, (Croatia) https://ur-institute.org/
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since 2013 – part of international informal network Hackteria network http://hackteria.org/
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2011- 2018 co-funder and active member of Theremidi orchestra http://wiki.ljudmila.org/Theremidi_Orchestra
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2006 – 2009 Member of the board of editors of Pojmovnika slovenske umetnosti po letu 1945 / The Glossary of Slovene Art from 1945.
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2005 – 2006 as a member of group TEMP she had participated in public interventions and installations in the development of strategies for alternative use of abandoned spaces.
RESIDENCIES / GRANDS:
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2024 – Artist in residence MADE IN (Drugo more & OAZA) https://madein-platform.com/collaboration/echoes-of-the-abyss-i-toxic-legacies-of-oceanic-ecologies/
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2023 – Artist in residence at TARA Europe ( Research vessel), Tara Foundation https://fondationtaraocean.org/en/artists/robertina-sebjanic/
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2022 January/February – artist in residence at “Atmosphere of Sound” by UCLA Art | Sci Center, Los Angeles, USA https://soundofatmosphere.com/
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2021/2022 artist in residence / fellowship: STARTS4Water, Zero Pollution Adriatic hosted by UR Institute, Dubrovnik Croatia https://starts.eu/article/detail/starts4water-announces-winners-of-open-call-for-10-artist-residencies-addressing-new-water-realities/
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2021, 25 – 31 January, Ljubljana residency at Kino Šiška https://www.kinosiska.si/dogodek/rezidenca-robertina-sebjanic/
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2020 – 2021 research residency at PiNA laboratory Koper, RUK, IZIS festival
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2020 online group residency in Working Group “Staying in touch: post-coronavirus art curating” developed on behalf of Cultivamos Cultura in the framework of Biofriction by the working group Art Shows and Public Health leaded by Dalila Honorato and composed by Robertina Šebjanič, Louise Mackenzie, Karolina Żyniewicz and Isabel Burr Raty
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2019 residency at RV Celtic Explorer at Atlantic Ocean in frame of ArielSparks, Galway 2020 https://www.aerialsparks.org/robertina-sebjanic
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2018 residency at Ars Electronica within the EMAP/EMARE project. Linz Austria
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2017 residency at Arte+Ciencia at UNAM, lead by María Antonia González Valerio with assistance of Roberto Rojas Madrid, development of the project Lygophilia / Transfixed gaze
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2017 micro residency Critical Tourism 2: Aquatocene / Escaping Sound Pollution by Annick Bureaud and Robertina Sebjanic at grey area . siva zona
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2016 art – science research residency at Station biologiue de Roscoff – Roscoff Marine Station, organised by PING and curated by Ewen Chardronnet.
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2018 art research grand by the Ministry of Culture of Slovenia (work scholarship)
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2016 residency by the Ministry of Culture of Slovenia in Berlin
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2015 residency 0.camp at Lieu Unique organised by PING in Nantes, France
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2014 leading conceptualist / methodolog of the field work Deep Blue in Izmir, Turkey within the Triennial of Contemporary Art PORTIZMIR3. Working group was mixed with scientist from Institute of Marine science and tehnologies and local artist from Izmir
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2014 she was resident in the residency programme “The Soft, the Hard and the Wet” at Eleonore, Stadtwerkstatt curated by Shu Lea Cheang.
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2014 residency by the Ministry of Culture of Slovenia in New York
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2013, Robertina was part of organization team and participant of HackteriaLab Bangalore. In 2014 she participated at HacteriaLab Yogyakarta.
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2011 Prima Center Berlin (PCB), Berlin, Germany
Her video works are part of several video collections, among them of Station DIVA presents (a historical overview – 15 works of Slovenian video art ), Videospotting , One minute video, HEP (Human Emotion Project from 2009 onwards), etc.
She was a member of an informal group TEMP and member of the board of editors of Pojmovnika slovenske umetnosti po letu 1945 / The Glossary of Slovene Art from 1945.
In 2012 she organized Interactivos?’12 Ljubljana: Obsolete Technologies of the Future at LJUDMILA digital media lab in Ljubljana, where she was between 2008 and 2012 programme manager. Between January 2013 till July 2014 she was working as a mission and programme developer at KSEVT – Cultural Centre of European Space Technologies.
Robertina Šebjanič, photo by Carole Thibaud at filed trip in Roscoff, France
Robertina Šebjanič je umetnica, ki v svojem delu raziskuje ekološke, geopolitične in kulturne realnosti vodnih okolij in vpliv človeštva na druga okolja in v njih živeče organizme. V svoji analizi antropocena in njegovega teoretičnega okvira umetnica uporablja pojma ” aquatocene” in “aquaforming”, ki se nanašata na antropogeni vpliv človeštva na vodne okolja. Njeni projekti pozivajo k razvoju empatičnih strategij, katerih cilj je priznavanje pravic entitet, ki so več kot človek. Njeno umetniško delo Aurelia 1+Hz / proto viva generator (a. p.) je od leta 2019 del zbirke .NewArt { collection;}. v Španiji. Njena dela so prejela nagrade in nominacije na festivalih Prix Ars Electronica, Starts Prize, Falling Walls, Re:humanism.
Robertina Šebjanič je intermedijska umetnica. Vsebinsko svoje ideje in koncepte pogosto realizira v sodelovanju z drugimi avtorji, zato njena dela utelešajo interdisciplinarnost in neformalno integracijo. V svojih delih se ukvarja z vzpostavitevijo razmerij med humanističnimi in naravoslovnimi znanostmi ter tehnologijo (umetnostjo – tehnologijo – znanostjo). Njeno raziskovanje je v zadnjih letih predvsem usmerjeno na področje živih sistemov, AV performansov ter zvočnih umetnosti in postavitve interaktivnih ambientalnih odzivnih okolij. Robertina je soustanoviteljica in aktivna članica skupine Theremidi orchestra (2011-2018) in je članica mednarodne mreže Hackteria network (od leta 2013).
2016 je prejela za delo Aurelia 1+Hz /proto viva sonification častno omembo – Honorary mention Prix Ars Eletronika za kategorijo Interactive Art+ in STARTS 2016 nomination za projekt Time Displacement / Chemobrionic Garden in nominacijo za Beli Aphroid za porjekt Aquatocene. Je del platforme SHAPE 2017 . 2018 je bila rezidenčna umetnica Ars Electronice (EMARE / EMAP), z projektom aqua_forensic (sodelavec Gjino Šutić).V letu 2007 je prejela nagrado akademije za likovno umetnost.
Robertina Sebjanic photo by Uroš Abram made for Mladina magazin, for article – creative portraits & text by Petra Tihole
Robertina Šebjanič je umetnica, ki v svojem delu raziskuje ekološke, geopolitične in kulturne realnosti vodnih okolij in vpliv človeštva na druga okolja in v njih živeče organizme. V svoji analizi antropocena in njegovega teoretičnega okvira umetnica uporablja pojma ” aquatocene” in “aquaforming”, ki se nanašata na antropogeni vpliv človeštva na vodne okolja. Njeni projekti pozivajo k razvoju empatičnih strategij, katerih cilj je priznavanje pravic entitet, ki so več kot človek.
Njeno umetniško delo Aurelia 1+Hz / proto viva generator (a. p.) je od leta 2019 del zbirke .NewArt { collection;}. v Španiji.
Robertina Šebjanič je študirala na Akademiji za likovno umetnost in oblikovanje in na Šoli uporabnih umetnosti Famul Stuart, obe sta v Ljubljani, v Sloveniji. V študijskem letu 2005 / 2006 je bila na študentski izmenjavi na Valand School of Fine Arts v Gothenburgu na Švedskem.
Svoja dela predstavlja na mnogih samostojnih in skupinskih razstavah in v okviru mednarodnih razstav in festivalov med drugim tudi: Eastern Bloc – Montreal / Ars Eletronica, – Linz / Kosmica festival – Laboratorio Arte Alameda, Mexico City / MONOM_ CTM Berlin / Forum Camp (PING) Nantes / KIBLIX festival -Maribor / MFRU festival – Maribor / Art laboratory Berlin / Stadtwerkstatt – Linz/ Le Cube – Pariz / PortIzmir3 – K2 -Izmir / Touch me_Klovičevi dvori_Kontejner – Zagreb / Galerija Kapelica – Ljubljana / Eyebeam – NYC / HackteriaLab – Yogyakarta / Share – NYC / Front Gallery – NYC / Bandits-Mages Rencontres 2014 _ Bourges / 7. trienale slovenske umetnosti U3, +MSUM- Ljubljana / HackteriaLab – Bangalore / Piksel festival – Bergen / Festival Accès(s)_ Pau / Device art_Kontejner – Zagreb / Prima Gallery- Berlin / Galerija SC -Zagreb / Netaudio Festival- London / Likovni salon Celje / Galerija Alkatraz- Ljubljana / Paraflows- Dunaj / Haip- Ljubljana / Amber- Istanbul / Muzej sodobne umetnosti Vojvodine v Novem Sadu / Galerija KiBela, Kibla – Maribor / SCCA – Ljubljana / Share – Beograd / BRGS_ Antwerp itd….
Njena video dela so v mnogih video kolekcijah prikazovana na referenčnih mednarodnih prizoriščih, med drugim v : HEP (HUMAN EMOTION PROJECT od 2009 – ), Videospotting etc…Med drugim je njeno video delo predstavljeno znotraj projekta: DIVA Station (SCCA Slovenia) historični izbor slovenske video umetnosti od 1983 to 2007.
NAGRADE
2023 Re:Humanism Art Prize, Rim, finalistka z delom Echinoidea future – Adriatic sensing,
2021 Falling Walls 2021 – zmagovalka v kategoriji povezovanja znanosi in umetnosti 202, za delo Aquatocene, https://falling-walls.com/people/robertina-sebjanic/
2016 Honorary Mention @Prix Ars Electronica 2016, za projekt Aurelia 1+Hz / proto viva sonification https://archive.aec.at/prix/showmode/52898/
2020 STARTS2020 nomination of the project aqua_forensic https://starts-prize.aec.at/en/aqua_forensic/
2016 STARTS2016 nominacija za projekt Time Displacement / Chemobrionic Garden https://starts-prize.aec.at/en/winners2016/
2018 projekt Aquatocene umeščen med 5 zmagovalcev projekta The Universal Sea https://universal-sea.org/news/top-5-winners
2017 Nominacija za nagrado White Aphroid
2017 SHAPE umetnica v letu 2017 https://shapeplatform.eu/artist/robertina-sebjanic/
2007 je prejela priznanje /nagrado Akademije za likovno umetnost, Univerza v Ljublajni
REZIDENCE
2022 – Galapagos Art and Science Journey, organizirano s strani Quo Artist Foundation v sodelovanju Royal Academy of European Doctors (READ) iz Španije https://quoartis.org/project/galapagos-art-and-science-journey/
2022 – artist-in-residence ATMO at UCLA Art|Sci Center, Los Angeles, ZDA https://soundofatmosphere.com/
2021/2022 rezidenčna umetnica / prejemnica štipendije STARTS4Water, Zero Pollution Adriatic, Dubrovnik, Hrvaška https://starts4water.eu/index.php/2021/12/01/marjan-zitnik-mar-and-robertina-sebjanic/
2020 na svetovnem spletu: Working Group “Staying in touch: post-coronavirus art curating” developed on behalf of Cultivamos Cultura in the framework of Biofriction by the working group Art Shows and Public Health leaded by Dalila Honorato and composed by Robertina Šebjanič, Louise Mackenzie, Karolina Żyniewicz and Isabel Burr Raty https://biofriction.org/biofriction/staying-in-touch-post-coronavirus-art-curating/
2019 rezidenčna umetnica na RV Celtic Explorer s projektom Aerial / Sparks v sklopu kulturne prestolnice Galway 2020, https://www.aerialsparks.org/
2018 rezidenčna umetnica Ars Electronica (EMARE / EMAP) s projektom aqua_forenzika (sodelavec Gjino Šutić), Linz Avstrija https://emare.eu/artists/robertina-sebjanic-gjino-sutic
2021, rezidenčna umetnica v Kino Šiška, Ljubljana
2020 rezidenčna umetnica v PiNA laboratory Koper, RUK
2017 rezidenčna umetnica v Arte+Ciencia at UNAM, lvodja reszidence María Antonia González Valerio
2017 rezidenčna umetnica v Critical Tourism 2: Aquatocene / Escaping Sound Pollution v grey area . siva zona
2016 rezidenčna umetnica v Station biologiue de Roscoff – Roscoff Marine Station, organizacija PING curator Ewen Chardronnet.
2018 štipendija Ministrstvo za kulturo R. Slovenije
2016 rezidenčna umetnica v Berlin-u, pod okriljem Ministrstvo za kulturo R. Slovenije.
2015 Ministrstvo za kulturo R. Slovenije 0.camp at Lieu Unique, PING Nantes, Francija
2014 rezidenčna umetnica v Deep Blue in Izmir, Turčija (Triennial of Contemporary Art PORTIZMIR3. Institute of Marine science and tehnologies )
2014 rezidenčna umetnica v “The Soft, the Hard and the Wet” at Eleonore, Stadtwerkstatt kuratorica Shu Lea Cheang.
2014 rezidenčna umetnica v New Yorku, pod okriljem Ministrstvo za kulturo R. Slovenije.
2011 rezidenčna umetnica v Prima Center Berlin (PCB), Berlin, Nemčija
2014 je bila udeleženka HackteriaLab Yogyakarta, Indonezija.
2013 je bila sorganizator in udeleženka HackteriaLab Bangalore, Indija.
Od januarja 2013 do junija 2014 je bila razvijalka misij in programov v Kulturnem centru evropskih vesoljskih tehnologij KSEVT, kjer je med drugim bila tudi asitentka produkcije pri izvedbi projekta PROBLEM VOŽNJE PO VESOLJU – SUPRE:ARHITEKTURA, ki je predstavlja R. Slovenijo na Arhitekturnem bienalu v Benetkah 2014.
Med 2008 in 2012 je bila programska koordinatorica in vodja umetniško izobraževalnih dejavnosti na LJUDMILI digital media lab v Ljubljani, kjer je leta 2012 organizirala mednarodni dogodek Interactivos?’12 Ljubljana: Zastarele tehnologije prihodnosti.
Leta 2007 je prejela nagrado ljubljanske Akademije za likovno umetnost in oblikovanje.
2006–2009: članica uredniške odbora Pojmovnika slovenske umetnosti po letu 1945.
2005–2006: kot članica skupine Temp je sodelovala pri javnih intervencijah in instalacijah na področju razvojnih strategij alternative uporabe zapuščenih prostorov.
Aurelia 1+Hz / proto viva generator by Robertina Šebjanič, …NewArt { collection;}. _ Electronic Art Collection, Spain, photo by Miha Godec
contact artist for updated cv
Check all the upcoming events / exhibitions: https://robertina.net/news/
SOLO EVENTS (EXHIBITIONS / AV PERFORMANCE – selection):
2024,
November 15 – December 14, Los Angeles
Co_Sonic 1884 km² an audio/visual installation by Robertina Šebjanič, a solo exhibition at CNSI ArtSci Gallery, in the frame of Atmosphere of Sound: Sonic Art in Times of Climate Disruption, UCLA Sci&Art – PST ART: Art & Science Collide https://soundofatmosphere.com/exhibition-robertina-sebjanic-co_sonic-1884-km2/
2024, September 13 – January 5 2025, Berlin – Kunstgewerbemuseum
solo exhibition: Lygophilia Aquatic Life: A Symbol of Extinction, Scientific Wonder, and Cultural Heritage at Kunstgewerbemuseum Berlin, curator dr. Claudia Banz, in collaboration with SKICA Berlin https://www.smb.museum/en/exhibitions/detail/robertina-sebjanic-lygophilia/
2023, 26 January – 17 February, Rijeka
Solo exhibition: “Tidal (Sy)(e)mpathia”. by Robertina Šebjanič at Drugo more/ Filodrammatica Gallery in Rijeka, Croatia. Presented works: Echinoidea Future – Adriatic Sensing – Installation, 2022 and Atlantic Tales: Selachophilia: Cetorhinus Maximus – Limaria Hians – immersive audiovisual narrative, 2019-2021 / * only on the opening day of the exhibiti. more: http://drugo-more.hr/en/robertina-sebjanic-en/
2023, 23 – 28 November, Ljubljana // Echinoidea Future – Adriatic Sensing – Installation, by Robertina Šebjanič solo exhibition at OSMO/ZA, with support by Zavod Sektor https://www.osmoza.si/en/event/robertina-sebjanic-echinoidea-future-adriatic-sensing
2023, 14 July – 15 October, London
Co_Sonic 1884 km² by Robertina Šebjanič (solo exhibition) at Watermans Arts Centre, curated by Klio Kraljewska https://www.watermans.org.uk/events/co_sonic-1884-km%c2%b2-exhibition-by-robertina-sebjanic/
2022
26 – 29 May, Bologna – Resilience Festival by Kilowatt at Le Serre Gardini, Robertina Šebjanič artist in focus; exhibition of works Atlantic Tales, Co_Sonic1884km2 and AV performance Aquatocene. more: https://www.resilienzefestival.it/
13 July, Ljubljana – SONIC ALLEGORIES by dr. Lena Ortega (MEX) & Robertina Šebjanič (SLO) with special guest prof. dr. Victoria Vesna (USA) at Computer museum Ljubljana (Računalniški muzej Ljubljana)
2021
Atlantic Tales, by Robertina Šebjanič, solo show at Kino Šiška, 18 and 19 November 2021 https://www.kinosiska.si/en/dogodek/atlantic-tales/
AquA(l)formings – Interweaving the Subaqueous, by Robertina Šebjanič, Sofia Crespo, Feileacan McCormick, solo show at Kino Šiška, 11 and 12 November 2021 https://www.kinosiska.si/en/dogodek/aquatocene-and-aquaiformings/
Aquatocene by Robertina Šebjanič at KAAP in Ostend in collaboration with Gluon and De Tijd. solo exhibition , sound installation 8 – 30 May, Ostend, more: https://gluon.be/art-and-research/exhibitions/8036/aquatocene/
CO_SONIC 1884 KM2 – the audio-visual installation by Robertina Šebjanič, March 24, 2021, at the Ambrožev trg square park, is the third in a series of projects taking place in the run-up to the opening of Cukrarna. (solo exhibition -24 March, Ljubljana more: https://mgml.si/en/city-museum/exhibitions/562/robertina-sebjanic-co_sonic-1884-km2/
Aquatocene / The subaquatic quest for serenity by Robertina Šebjanič at MKC Gallery Split, Croatia
aqua_forensic by Robertina Šebjanič and Gjino Šutić, Gallery Postmodern, Dubrovnik, Croatia
2020
Aquatocene solo concert of the new sub-label SonoLiminal / Inexhaustible Editions, FriForma, Osmo/za, Ljubljana
MONOM in frame of the CTM festival program; sonic cinema: Lost Space: Subaquatic Ocean by William Russell and Robertina Šebjanič with musical contributions from FLORA (Jonas V. Ronnberg, Anna Melina)
2019 SOLO EVENTS (EXHIBITIONS / AV PERFORMANCE):
Steklenik gallery at Tivoli Greenhouse a solo sound exhibition: Sound Disposition / Crystal gardens by Robertina Šebjanič, Aleš Hieng – Zergon, Ida Hiršenfelder
Gallery Tobačna 001 a solo exhibition: Aquatic twilight / Lygophilia by Robertina Šebjanič, curated by Alenka Trebušak
aqua_forensic by Robertina Šebjanič and Gjino Šutić with guest Veronika Liebl (Ars Electronica) at OSMO/ZA
GROUP EXHIBITIONS / LECTURES / AV PERFORMANCE
2024, 16. November – 2025, 2. March, Paris
Echoes of the Abyss: Toxic Legacies of Oceanic Ecologies by Robertina Šebjanič part of group exhibition La Grande expédition Tara, l’art et la science pour révéler l’Océan at The CENTQUATRE-PARIS in partnership with Tara Ocean Foundation https://www.104.fr/fiche-evenement/la-grande-expedition.html
2024, 25. October, Ljubljana
Ocean Around Us – Echoes of the Abyss: Toxic Legacies of Oceanic Ecologies – International Symposium https://robertina.net/international-symposium-ocean-around-us-echoes-of-the-abyss-toxic-legacies-of-oceanic-ecologies-mednarodni-simpozij-ocean-okoli-nas-odmevi-brezna-toksicna-dediscina-oceanskih-ekologij
2024, 19.October, Sant Adrià del Besós, Manifesta15- MhiC (Museu d’Història de la Immigració de Catalunya)
MhiC will host a workshop/meditation led by Epicuro Lab , in collaboration with artist Robertina Šebjanič, as part of Manifesta 15’s Imagining Futures cluster https://quoartis.org/events/migrant-crops-a-performace-by-epicuro-lab-and-robertina-sebjanicthe-mhic-for-manifesta-15-mhic-sant-adria-del-besos-19-october-2024-2/
2024, 13. September – 2025 12. January, Modena – FMAV – Fondazione Modena Arti Visive
AquA(I)formings by Sofia Crespo & Feileacán McCormick & Robertina Sebjanic as part of the group exhibition “UMWELT”, curated by Marco Mancuso at FMAV – Fondazione Modena Arti Visive. https://www.fmav.org/en/exhibitions/umwelt/
2024,4 -8 September, Linz – Ars Electronica Festival
Ars Electronica Festival 2024 – with work Co_Sonic 1884 km² an audio/visual installation part of SHARE-PLORING SPATIAL AUDIO curated by Mauricio Valdes by PiNA / Heka / Kuber.
2024,4 -8 September, Linz – Ars Electronica Festival
Ars Electronica Festival 2024 – as a part of mentor group campus exhibition by students from School of Arts, University of Nova Gorica (SI): Look Me in The Eye—The Time is Now! https://ars.electronica.art/hope/en/look-me-in-the-eye-the-time-is-now/
2024, 21. June – 17. November, Ljubljana – Mg+ | Moderna Galerija / Museum Of Modern Art in Ljubljana
Echinoidea Future – Adriatic Sensing by Robertina Šebjanič; part of the group exhibition at U3 The Triennial of Contemporary Art, at Mg+ | Moderna Galerija / Museum Of Modern Art in Ljubljana, curated by Tevž Logar https://www.mg-lj.si/en/exhibitions/3952/10th-triennial-of-contemporary-art
2024, 21 – 29 June, Meanjin / Brisbane – 29th International Symposium on Electronic Art (ISEA)
Co_Sonic 1884 km² an audio/visual installation by Robertina Šebjanič part of the group exhibitions at SAE and CARI Whitebox at Griffith University – at 29th International Symposium on Electronic Art (ISEA) Meanjin – Brisbane. https://isea2024.isea-international.org/welcome/
2024, 8 June, Venice – Ocean Space
Ocean Day at Ocean Space – For An Intersectoral Ocean Imagination Between Action And Change, a joint event by TBA21, TARA Foundation and Bauhaus at the Seas – a discussion and listening session on Situated Practices. A Conversation with Robertina Šebjanič, Laure Winants. Moderated by Dalil Benhis-Folliot. Full program of the whole day: https://Www.Ocean-Space.Org/Activities/Ocean-Day
2024, 6- 17 June, New York – Tribeca Immersive at Mercer lab
Tribeca Immersive 2024: audio work CO_SONIC 38,144 km², by Robertina Šebjanič – Spatialized in 4DSOUND with MONOM Tribeca 2024 Official Selection – Immersive presented at the Mercer Lab https://www.tribecafilm.com/festival/immersive
2024, 6 June, New York – Tribeca Immersive at Spring Studio
artist talk at Tribeca Immersive in Spring Studio at 5 pm: Memo Akten, Katie Peyton Hofstadter, Liam Young , Robertina Šebjanič and Ana Brzezińska (Tribeca Immersive Curator) https://tribecafilm.com/films/art-of-designing-large-scale-digital-and-spatial-experiences-immersive-2024
2024, 4 – 26. June, Bucharest – Rezidența9
Co_Sonic 1884 km² an audio/visual installation by Robertina Šebjanič part of the group exhibition After Land at Rezidența9, organised by Qolony https://qolony.eu/en/
2024, 31. May – 14. July, Pula – Contemporary Art Museum of Istria
Echinoidea Future – Adriatic Sensing by Robertina Šebjanič, part of a group exhibition SunPoiesis at
Contemporary Art Museum of Istria http://msu-istre.hr/pocetna/
2024, 29 May – 16 June, Pula – Media Mediterranea festival
Aquatocene by Robertina Šebjanič, part of Media Mediterranea festival, a group exhibition: Networked Sea https://metamedia.hr/
2024, 16. May, Novi Sad [Talk online] – Reaktor
A panel at The Bio Art Forum forum with: ArtMargherita Pevere (DE); Dorotea Dolinšek (SI); Robertina Šebjanič (SI); Moderator: Sonja Jankov (RS) https://reaktorngo.org/bio-awaking/
2024, May – 2025 March, Rijeka [Adriatic Sea] – Drugo More/Oaza/ Made In
In the frame of MADE IN residence, by OAZA and Drugo More in collaboration Robertina Šebjanič is a 2024/2025 artist in residence with the project: ECHOES OF THE ABYSS I. TOXIC LEGACIES OF OCEANIC ECOLOGIES https://madein-platform.com/collaboration/echoes-of-the-abyss-i-toxic-legacies-of-oceanic-ecologies/
2024, 8 – 12 April, Barcelona – UN Ocean Decade Week at ICM Institut de Ciències del Mar & Quo Artis Foundation
Aquatocene by Robertina Šebjanič; part of a group exhibition ‘The Blue and Us’ at UN Ocean Decade Week at ICM Institut de Ciències del Mar – CSI (Aquatocene is part of curated program by Quo Artis Foundation https://www.icm.csic.es/ca/ocean-conference-program
2024, 15. March – 13. October, Hamburg – The Museum für Kunst und Gewerbe Hamburg (MK&G)
Aqua_forensic by Robertina Šebjanič and Gjino Šutić at group exhibition WATER PRESSURE Designing for the Future at The Museum für Kunst und Gewerbe Hamburg (MK&G)
https://www.mkg-hamburg.de/en/exhibitions/water-pressure
2024, 8. March, Barcelona – Sant Pau Art Nouveau Site – Quo Artis Foundation
How do the oceans feel our impact? Robertina Šebjanič in conversation with Tatiana Kourotchkina (Quo Artis Foundation), on aqua_forensic, at Sant Pau Art Nouveau Site https://quoartis.org/events/a-sea-on-edge-opening-of-the-final-exhibition-of-a-sea-change-sant-pau-art-nouveau-site-barcelona-7-march-2024/
2024, 7 Mar – 3 Mar 2025, VR – Quo Artis Foundation
The project Echinoidea Future – Adriatic Sensing by Robertina Šebjanič in the virtual reality exhibition, Beyond a Sea Change: Rethinking the Mediterranean – https://vortic.art/exhibitions/a-sea-change-7100 // https://quoartis.org/project/a-sea-change/
2024, 7. – 21. March and 15. – 30. April, Barcelona – Sant Pau Art Nouveau Site – Quo Artis Foundation
The project Echinoidea Future – Adriatic Sensing by Robertina Šebjanič at the group exhibition “A Sea on Edge” organized by Quo Artist Foundation in the frame of A Sea Change project. https://quoartis.org/project/a-sea-change/
2024, 7. March, Barcelona – Sant Pau Art Nouveau Site – Quo Artis Foundation
round table featuring discussions between artist Robertina Šebjanič, Kontjner’s cuartor, Davorka Begović, oceanographer Joan Llort, and Quo Artis projects coordinator Helena Pérez Guerra. https://quoartis.org/project/a-sea-change/
2024, 23. March, Trier – Kunsthalle Trier Artist talk by Robertina Šebjanič, with a focus on her work Echinoidea Future – Adriatic Sensing, part of the group exhibition SúnPoíēsis: From Ego to Eco-Centrism through Art. Curated by Sabina Oroshi at Kunsthalle Trier.
https://www.kunsthalle-trier.de/project/meet-the-artist-robertina-sebjanic/?lang=en
2024, 7. March – 7. April 2024, Trier – Kunsthalle Trier // The project Echinoidea Future – Adriatic Sensing by Robertina Šebjanič at the group exhibition SúnPoíēsis: From Ego to Eco-Centrism through Art, curated by Sabina Oroshi at Kunsthalle Trier.
https://www.kunsthalle-trier.de/
2024, 13. February, Los Angeles – UCLA, ArtiSci Center
lecture and workshop at UCLA, ArtiSci Center for the class by dr. Victoria Vesna, together with dr. Lena Ortega and dr. Aisen Caro Chacin https://artsci.ucla.edu/
2024, 9 February, Palo Alto – Stanford School of Medicine & The Wende Museum // artist talk by Robertina Šebjanič in the series: “Art Across Boundaries” hosted at Stanford School of Medicine in collaboration with The Wende Museum. https://events.stanford.edu/event/art_across_boundaries_with_robertina_sebjanic
2023, 7 December, Maribor – MMC KIbla Panel discussion: Ecology and technology – doom or gloom?, at MMC KIbla. Speakers: Safet Kubat (BA), Aleksandar Matković (SR), Robertina Sebjanic (SI), moderator: Tomislav Medak (HR).
2023, 24 November – 23 December, Cairo // UNROLLING THE CODE Section curated by Elena Giulia Abbiatici for SOMETHING ELSE_ III edition | OFF BIENNALE CAIRO at Citadel of Salah El Din, Cairo (Chief Curator: Simon Njami – Artistic Director: Moataz Nasr) ; UNROLLING THE CODE Section artist: Daniela De Paulis (IT-NE), Heather Dewey-Hagborg (NY), Mariagrazia Pontorno (IT), Robertina Sebjanic (SL). Robertina Šebjanič presenting: Piscis ludicrous / Transfixed gaze (Lygophilia) Video essay https://www.artapartofculture.net/2023/11/24/something-else-iii-edizione-unrolling-the-code http://digicult.it/articles/art/something-else_-iii-editior
2023, 23 November, Ljubljana // Echinoidea Future – Adriatic Sensing | opening talk with dr. Manca Bajec, Gjino Šutić and Robertina Šebjanič at OSMO/ZA https://osmoza.si/en/event/echinoidea-future-adriatic-sensing-opening-talk
2023, 20 – 22 November, Nova Gorica Futurama, masterclass workshop by Robertina Šebjanič for students of School of Arts, University of Nova Gorica
2023, 4 November, Ljubljana Hidden Adriatic (New collaboration album) by Manja Ristić and Roberitna Šebjanič, release at Kamizdat, a performance night at Priltličje, with artist Oka & Nitz (Eva Mulej and Tine Vrabič)
https://emanat.si/en/publishing/manja-risti%C4%87-robertina-sebjani%C4%8D–hidden-adriatic/
https://kamizdat.si/category/releases/
2023, 26-29 October, Namur Atlantic Tales by Robertina Šebjanič, part of exhibition KIKK festival in Town https://www.kikk.be/kikk-for-pro/kikk-in-town/robertina-sebjanic
2023, 19 October, Leipzig // Co_Sonic 1884 km² by Robertina Šebjanič and oOo Liquid by Ida Hiršenfelder, at Z.I.M.M.T, supported by Zavod Sektor
2023, 14 October till 19 November, Ilgwang beach, Busan // Sea Art Festival 2023 “Flickering Shores, Sea Imaginaries” curated by Irini Papadimitriou, will be presenting new work Tidal Whispers: Busan’s Oceanic Tales Commissioned by Sea Art Festival 2023
2023, 6 – 13 October, Maribor // Co_Sonic 1884 km² by Robertina Šebjanič on group exhibition at MFRU festival https://www.mfru.org/mfru-2023
2023, 5 October – 15 June 2024, Munich
Aqua_forensic by Robertina Šebjanič and Gjino Šutić at Ars Electronica exhibition: Catalyst Lab at European Patent Office, Munich
https://www.epo.org/en/about-us/social-responsibility/art/50-years-epc-exhibition/catalyst-lab-curated-ars-electronica-short
2023, 4 – 7 October, Aveiro
Echinoidea Future – Adriatic Sensing – Installation, by Robertina Šebjanič part of group exhibition at the PRISMA aka Criatech festival https://prisma.aveiro.pt/en/
2023, 15 – 17 September, Venice
Aquatocene by Robertina Šebjanič (with support by Quo Artists foundation in frame of A Sea Change porjects) part of a group exhibition Exhibition: ‘Sources @ RE:SOURCE’ at Scuola Grande dei Carmini Dorsoduro https://www.resource-media.art/exhibition/
2023, September, ECOSPodium Podcast / CaixaForum
ECOS Podium Podcast / CaixaForum+ presents a special edition by Jorge Carrión titled “Ecosondas de las islas Galápagos,” focusing on the Galapagos Art_Sci_Journey organized by Quo Artist Foundation in 2022. This special episode also includes my underwater and above-water sound recordings from this pristine location. https://open.spotify.com/episode/3Tns5USqS7FTjvOuUk0pfO
2023, 20 – 26 August, Ljubljana
Co_Sonic 1884 km² by Robertina Šebjanič and oOo Liquid by Ida Hiršenfelder, exhibition at Mladi Levi festival by Bunker at Stara elektrarna, with support by Zavod Sektor https://www.bunker.si/en/events/robertina-sebjanic-ida-hirsenfelder-co_sonic-1884-km%c2%b2-ooo-liquid/
2023, 27 – 30 June, Amsterdam
MARE conference – Blue Fear – navigating ecological, social and existential anxieties during the Anthropocene. Aquatocene by Robertina Šebjanič (opening performance) and Atlantic Tales by Robertina Šebjanič (closing performance); https://marecentre.nl/
2023, 5 – 22 June Aarhus – Riga
Robertina Šebjanič, artist in residence at TARA, by The Tara Ocean Foundation https://fondationtaraocean.org/en/schooner/tara-schooner/
2023, 24 May – 18 June, Rome
group exhibition of the winner projects of the 3rd edition of Re:humanism Art Prize “Sparks and Frictions” at WEGIL Cultural Hub of the Lazio Region; with work: Echinoidea Future – Adriatic Sensing – Installation, by Robertina Šebjanič https://www.re-humanism.com/artprize/sparks-and-frictions
2023, 20 May, Split
Line +1233m – 1233 m, audio visual performance by Robertina Šebjanič and Tanja Minarik as part of HOW THE SEA HEARS US, at MKC SPLIT, by KONTEJNER
2023, 16 – 20 May, Split
group exhibition KONTEJNER: HOW THE SEA HEARS US, at MKC SPLIT, with work: Echinoidea Future – Adriatic Sensing – Installation, by Robertina Šebjanič
2023, 16 – 21 May, Paris
ISEA 2023 – artist talk Robertina Šebjanič – Aquaforming in the age of Aquatocene
ISEA 2023 – The Traveling Plant; “Peripatetic Tour of the Nelson Mandela Garden in Paris over ISEA” which takes place on 17th May at noon, guided by artist Eva-Maria Lopez (The Traveling Plant Collective, ISEA2023 laureate collective — Annick Bureaud, Tatiana Kourochkina, Marta De Menezes, Claudia Schnugg, Robertina Šebjanič) https://isea2023.isea-international.org
2023, 3 May, Aalborg
Leonardo Laser ISAST Talks: Alessandro Ludovico, HC Gilje, Anna Nacher, Robertina Šebjanič + Students from the ERASMUS Master Media Arts Cultures Program and the Art and Technology BA Program and Chair: Morten Søndergaard (part of the conference UN – disciplinary) https://www.communication.aau.dk/practices-of-asts-e743
2023, 2 May – 2 July 2023, Istanbul
Contemporary Istanbul Foundation (Fişekhane, Cocoon): group exhibition: “Meta Knowledge: The Rhythm of Algorithm” (“Metabilgi: Algoritma’nın Ritmi) curated by Esra Özkan; Robertina Šebjanič presents Co_Sonic 1884 km https://www.instagram.com/p/CriG_UlIoc2/
2023, 24 Apr – 4 May, Ljubljana
AquA(I)formings / Interweaving the Subaqueous by Robertina Šebjanič, Sofia Crespo, Feileacan McCormick at a group exhibition Towards a Humane Technology a Showcase exhibition of the Network of Art and Cultural Research Centers at Cankarjevi dom with support by Zavod Sektor https://www.cd-cc.si/en/culture/exhibitions/towards-humane-technology
2023, 21 April, Barcelona
A Sea Change – Interdisciplinary Symposium, organised by Quo Artist Foundation at BAU, College of Art &Design; Robertina Šebjanič is one of the speakers, more: https://quoartis.org/events/a-sea-change-interdisciplinary-symposium/
2023, 13 April – 17 May, Ljubljana
Line | +1233m –1233m, solo exhibition by Robertina Šebjanič at Gallery Kresija, organised by Cona Institute (Gallery Steklenik), more: https://www.steklenik.si/en/robertina-sebjanic-line-1233m-1233m/
2023, 20- 23 March, Aalburg
masterclass for students of Aalborg University, and a public lecture on 22 March, by Robertina Šebjanič: Sounds Of A Troubled World’s = Underwater Interception Of Aquaforming https://www.communication.aau.dk/public-lecure-by-robertina-sebjanic-e66677
2023, 10 March – 16 April, Valletta, Malta
Atlantic tales, immersive sound work by Robertina Šebjanič, on a group exhibition “When the moon waxes red” at the Space A, Spazju Kreattiv in Valletta, Malta, curated by Maren Richter https://www.kreattivita.org/en/event/when-the-moon-waxes-red/
2023, 21 – 26 of February, Barcelona
Lygophilia (opus of works) by Roobertina Šebjanič on exhibition at CCCB, as part of Bienal Ciudad y Ciencia / City and Science Biennial in Barcelona, curated by Lluís Nacenta, Helen Cole, Josep Perelló https://www.biennalciutaticiencia.barcelona/en
2023, 30 January, Tromsø
Cumulative RISK management of marine high north ecosystems (Side event at Arctic Frontiers 2023) Speakers: Terri Souster BarentsRisk, CLEAN/UiT. Introduction and Scenario; Robertina Sebjanic. Soundscape (noise) Artist; Alan Haynie, ICES Denmark. Management presenter; Jennifer Bailey ICES and Maritime Norway, NTNU. Management presenter; David Lusseau DTU Aqua, Denmark; Frank Bakke-Jensen, Director General of Fisheries, the Norwegian Fisheries Directorate; Tor Are Vaskinn, Section Manager, the Norwegian Fishing Vessel Owners Association; Raul Primicerio, Professor, UiT – The Arctic University of Norway; Cecilie Hansen, Institute of Marine Research
2022, 7 December – 2023, 11 February, Istanbul
Digital Serendipidy a group exhibition at Akbank Sanat, curated by Helena Nikonole, taking part with the work AquA(I)formings – Interweaving the Subaqueous (collaboration Robertina Šebjanič, Sofia Crespo & Feileacán McCormick) https://www.akbanksanat.com/sergi/dijital-sezgiler
2022, 7 December, Salzburg [Talk online]
subnetTALK: Robertina Šebjanič: Sounds of a Troubled World’s = Underwater Interception of Aquaforming https://subnet.at/subnettalk/subnettalk-robertina-sebjanic-mi-07-12-1800/
2022, 28 November – 1 December, Nova Gorica
master class / workshop “Futurama” at the University of Nova Gorica – School of Arts
2022, 18 November – 16 December, Lemesos (Limassol)
Aquatocene, part of a group exhibition Money, Ruins, and the Sea at NeMe center, curated by Irini Mirena Papadimitriou https://www.neme.org/blog/money-ruins-and-the-sea-press
2022, 17 – 18 November, Ljubljana
Line | +1233m –1233m by Robertina Šebjanič – live sound event / Thursday, 17 Nov 2022, at 20:30 and installation 17 – 18 Nov 2022, part of Parallel soundscapes organised by Zavod Cona at Kino Šiška, Ljubljana http://www.steklenik.si/en/5894-2/
2022, 16 November – 26 December, Maribor
AquA(I)formings / Interweaving the Subaqueous by Robertina Šebjanič, Sofia Crespo, Feileacan McCormick at a group exhibition at Kiblix 2022, http://www.kibla.org/en/festivals/kiblix/kiblix-2022/
2022, 4 November, Rome
AquA(I)formings – Interweaving the Subaqueous by Sofia Crespo, Feileacan McCormick (Entangled Others studio – live video) and Robertina Šebjanič part of Digitalive at Mattatoio part of Romaeuropa festival 2022, https://romaeuropa.net/festival-2022/aqua-formings/
2022, 4 – 12 November, Dubrovnik
presentation of outcomes of STARTS4Water residency: Zero Pollution Adriatic by Marjan Žitnik and Robertina Šebjanič at Dubrovnik Postmodern, Center za Mlade Dubrovnik
2022, 26 October, Eindhoven
Robertina Šebjanič & Gjino Šutič (aqua_forensic) presented at Waag at Dutch Design Week: S+T+ARTS for Environmental commons. https://waag.org/en/event/waag-talks-ddw-starts-environmental-commons/
2022, 7 October till 26 February 2023, Las Palmas de Gran Canaria
aqua_forensic by Robertina Šebjanič and Gjino Šutič at CAAM, Centro Atlántico de Arte Moderno. Cabildo de Gran Canaria, taking part of the exhibition “Con los pies en la Tierra” curated by Blanca De La Torre & Zoran Eric https://www.caam.net/es/expos_int.php?n=4366
2022, 6 – 9 October, Krakow
aquatocene (audio – video installation) by Robertina Šebjanič part of _econtinuum thematic exhibition at Patchlab Digital Art Festival, Krakow Poland https://en.patchlab.pl/ https://en.patchlab.pl/program/_econtinuum/
2022, 9 October, Krakow [Talk online]
Patchlab Digital Art Festival, Krakow Poland panel: “Crossing Territories” moderated and curated by Irini Mirena Papadimitriou; speakers: Jakob Kudsk Steensen, Maya Chowdhry, Robertina Šebjanič https://en.patchlab.pl/program/panel-discussions/panel-discussion-3/
2022, September, Galápagos Islands // Galapagos Art and Science Journey, organised by Quo Artist foundation and Royal Academy of European Doctors (READ) from Spain, Galapagos Art & Science Journey received UNESCO’s patronage, to be considered an initiative that seeks to promote international cooperation and explore solutions for today’s economic, social and environmental challenges to achieve a sustainable future and, as such, it aligns with the mission of UNESCO. https://quoartis.org/project/galapagos-art-and-science-journey/?v=da7f24de4c8e
2022, 13 September, Zagreb // Piscis ludicrous / Transfixed Gaze_Lygophilia, video essay and Odorantur_Lygophilia, installation are part of a group exhibition The New Era / Nova Doba curated by Miha Colner (Galerija Božidar Jakac Kostanjevica na Krki) at MSU (The Museum of Contemporary Art Zagreb / Muzej suvremene umjetnosti Zagreb) http://www.msu.hr/stranice/Exhibitions/13/en.html
2022, 10 September, Beijing // AquA(l)formings – Interweaving the Subaqueous by Robertina Šebjanič, Sofia Crespo, Feileacan McCormick is part of the group exhibition WWF China Climate Action Week (CCAW)
2022, 7 – 11 September, Linz // Echinoidea future – Adriatic sensing by Robertina Šebjanič, part of a thematic group exhibition STUDIO(dys)TOPIA – At the Peak of Humankind at Ars Electonica festival https://ars.electronica.art/planetb/en/studiotopia/. https://ars.electronica.art/planetb/en/echinoidea-future/
2022, 10 September, Linz // at Ars Electronica / Festival University: Water in (post)Anthropocene, a workshop by Robertina Šebjanič and Gjino Šutić, Ars Electronica Center – BioLAb https://ars.electronica.art/planetb/en/water-in-postanthropocene/
2022, 9 September, Linz // Ars Electronica Festival: S+T+ARTS Day Panel Discussion: Residency. But How? moderated by Christian Rauch (DE), speakers: Aimee Van Wynsberghe (CA), Irakli Sabekia (GE), Marjan Žitnik (HR), Robertina Šebjanič (SI) https://ars.electronica.art/planetb/en/residency-but-how/
2022, 8 September, Linz // artist talk by Robertina Šebjanič at LEONARDO LASER LINZ – Die Gartenlaube Vol. III, Danube Songs 2, organised by Christa Sommerer & Fabricio Lamoncha (Interface Cultures department at the University of Art and Design in Linz, Austria) and Ars Electronica 2022 https://leonardo.info/civicrm/event/info%3Fid%3D746%26reset%3D1
2022, 3 September 11 November, Basel // CO_SONIC 1884k2 by Robertina Šebjanič part of a group exhibition “Earthbound – In Dialogue with Nature”, curated by Sabine Himmelsbach and Boris Magrini at HeK (House of Electronic Arts Basel) https://www.hek.ch/en/program/exhibitions/earthbound-in-dialogue-with-nature
2022, 25 August – 6 September, Galápagos Islands // Galapagos Art and Science Journey, organised by Quo Artist foundation and Royal Academy of European Doctors (READ) from Spain. https://quoartis.org/project/galapagos-art-and-science-journey/?v=da7f24de4c8e
2022, 13 July, Ljubljana
lecture & listening session: SONIC ALLEGORIES by dr. Lena Ortega (MEX) & Robertina Šebjanič (SLO) with special guest prof. dr. Victoria Vesna (USA) at Computer museum Ljubljana (Računalniški muzej Ljubljana)
2022, 9 and 10 of July, Berlin // Robertina Šebjanič participated at the Interspecies Future Symposium co-hosted by The Museum für Naturkunde and Light Art Space in Berlin. more: https://www.interspecies.life/
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9 June – 21 August, Barcelona Aqua(I)formings by Sofia Crespo & Feileacán McCormick & Robertina Sebjanic will take part at ISEA 2022 Barcelona . The main exhibition ISEA2022 at the Arts centre Santa Mònica, under the title “La irrupció“, the exhibition, curated by Marta Gracia, Jara Rocha and Enric Puig Punyet more: https://isea2022.isea-international.org/event/santa-monica/